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Saturday, March 8, 2014

Latest Pap From Christian Movie Industry, Or How to Sucker a Billion Christians



 

Christian movie producers are safe in the knowledge that devout Christians will see just about anything that doesn't challenge their faith.

 


 
You do not mess with blind faith.

Just a humble reminder. You do not question the dully codified stories of Christianity, or challenge them, or offer even remotely refreshing, alternative storylines with anything resembling intelligence, or humor, or deep intellectual curiosity.

What are you, a masochist? To do so would imply there is something to be gained, some sort of cultural progress to be made in the realms of the exhausted – but still deeply paranoid and very simpleminded – Christian faith, when there most certainly is not. Besides, you want to make lots of money, right? Of course you do.

Do you know who understands this overarching rule perfectly? Mark Burnett, the goliath TV producer who single-handedly destroyed the modern world by popularizing reality TV. Burnett and his wife, “Touched by an Angel” actress Roma Downey, know exactly how sucker-able are the vast majority of the world’s Christians. Because they’re evil that way. Smart. I mean smart.

So smart are the Burnetts that they recently hacked together a terrifically lousy movie about the life and times of Jesus, called Son of God. They made it by cobbling new footage with bits of last year’s 10-hour History Channel miniseries on the Bible that was already quite perfectly lousy but still really popular because, you know, Jesus.

But of course, they didn’t stop there. The Burnetts recently travelled the country, shilling this new hunk of spiritual Valium to pastors, churches and shopping malls in hopes of pre-selling millions of tickets, safe in the the knowledge that devout Christians will see just about anything that reassures (but never, ever challenges or advances) their faith, no matter how poorly made, intellectually insulting or terminally boring it might be.

Sexy. Hunky. European. Heavily sedated. Nice hair. Bland as dishwater. Praise!

Are they right? Of course they’re right. There is tremendous money to be made endlessly reinforcing what the masses have already been told to believe, in keeping millions addicted to the very same drug they’ve been taking for millennia (hi, Fox News). Conversely, there is less money to be made – though much more fun to be had – sparking religious controversy, or at least trying to create something, you know, incisive, spiritually messy, or artistically interesting.

Here’s a fun factoid: Back in 1988, I worked as a lowly intern for a small record label that had its offices in the Universal Pictures building in Burbank, the very same year the “The Last Temptation of Christ” came out. Oh, what a time it was.

Controversy! Melodrama! I remember looking out the smoked-glass windows of the label’s office one fine morning and seeing a very long, poorly dressed line of angry-looking Christians marching uniformly toward the building, holding signs and yelling slogans, protesting the film’s “radical,” “blasphemous” portrayal of Jesus. It was all sort of adorable.

Do you remember what Jesus’ “last temptation” actually was? To be a normal guy. Wife, kids, a glass of wine before bed, mortality. This was the great, “sacrilegious” controversy: that Jesus might have been a little bit troubled, a little bit scared, a little bit human about accepting his divine fate. Being the messiah, after all, is a bitch.

But here’s the best part: The movie hadn’t even been released yet. Not a single protester had actually seen the film (much less read the original Nikos Kazantzakis novel). None of them had any real idea what the film actually depicted, or that it ended on a perhaps even more genuinely spiritual note than the same childish, Sunday school narrative they already knew.

Did it matter? Of course not. They’d been told – by a callow priest, an angry radio host, a terrified grandma – that the movie was heresy, that a tiny aspect of their faith was being lightly prodded by a popular entertainment. They were told to be outraged. Because if there’s one thing that threatens God’s all-encompassing love, compassion and eternal omnipotence, it’s an ’80s Scorsese flick.

The church, of course, has been doing this same dance for millennia – rallying their sheep to protect their own version of religious history, the very history they themselves made up/swiped from pagan sources, rewrote, rewrote again (and again and again) and then forced down the world’s throat for 2,000 years. Great scam.

Fast forward to 2004. It was exactly 10 years ago that the nation endured “The Passion of the Christ,” Mel Gibson’s sadomasochistic splatter-fest, a film so grotesque, so ultra-violent and cruel, it was like a master class in how to shred human flesh with a whip.

But oh, how the believers flocked! By the millions, over and over again, all at the behest/command of their pastors, fundamentalist radio hosts and their Rick Warrens. Entire Christian families packed the country’s theaters for weeks and even months, stone-faced and miserable – many bringing along their young children – as Romans beat poor James Caviezel’s Jesus into bloody veal for two hours straight. The more devout believed they were seeing actual history, when all they were seeing was one man’s violently distorted horror fantasia. It was ugly.

The good news is, Son of God offers no such melodrama, on either end of the spectrum. It takes the exact opposite tack, going straight for saccharine blandness, depicted Jesus as a hunky, cream-filled, Euro-looking white boy completely lacking in mystical intrigue, Hallmark-ready and devoid of anything resembling true spirit. Or brain. Or heart. Or spark. Bring the kids!

Whoops, how did this spiritual icon representing all of consciousness, a figure that precedes Christianity by many thousands of years, get in here? Sorry.

Whoops, how did this ancient spiritual figure that precedes Christianity by many thousands of years and which represents no dogma or churchly power-grab get in here? Sorry.

As irreverent Episcopal deacon David Henson pointed out in his hilarious live-tweeting of the movie: there’s no heresy here. But there is some weird racism. White supremacy. White people everywhere, in fact. Also, Jesus not really giving a damn about the poor or the oppressed. Is Jesus perpetually on Xanax? Sure looks like it. Is everyone speaking in a British accent? Apparently.

Son of God offers, in short, every bit of clunky spiritual pabulum the church has endorsed out for centuries (full disclosure: I watched exactly 58 minutes of the History Channel miniseries, more than enough to glean the suffocating blandness. I’m quit sure the movie offers little else).

Is there any other way? Sure. You may, if you are so inclined, create something thatsubverts religious dogma, by either exploding it with wild, Monty Python-grade satire or smartly undermining it with fantastical literary genius (ref: Kazantzakis, or even something like Philip Pullman’s brilliant His Dark Materials). Of course, doing so will only please those who already get it, who are educated and therefore capable of complex, nuanced, abstract critical thinking. In other words, exactly not the millions of literalist faithful one might hope to entice to begin to think for themselves.

So here we are, 2014, and to the church’s delight, the song remains ever the same. We have another big-budget, terminally weak Jesus rehashing, featuring the same stultifying ideas, the same staleSunday school mythologies originally (re)written by some very old, very repressed men who lived so long ago they might as well be aliens, men whose job it was to destroy/refashion ancient pagan belief systems to suit the church and fortify its power for centuries.

Kudos, then, to Mark Burnett for buttressing their musty cause, for inspiring not a single new possibility or tantalizing spiritual idea, for merely pouring another bucket of lukewarm water into what’s already a very tepid ocean. The church should be pleased.

Jesus, not so much.


Mark Morford's new book, 'The Daring Spectacle: Adventures in Deviant Journalism,' is now available at daringspectacle.com, Amazon, BN.com, and beyond. Join Mark on Facebook and Twitter, or email him. His website is markmorford.com. Mark's column appears every Wednesday on SFGate.

Saturday, February 15, 2014

10 Even Worse Things You Don’t Know About Comcast’s Proposed Merger With Time Warner



  Media  

 
 

A greedy, arrogant, connected corporation wants a bigger monopoly.


Photo Credit: Shutterstock, Copyright Lichtmeister
 
 
 
Talk about revenge of the C students! The nation’s biggest telecom company, Comcast, which took over NBCUniversal a year ago, wants to buy the second biggest company, Time-Warner Cable, to create an empire of 30-million subscribers. That’s a third of all American homes with cable for its TV, internet service and telephones.

The merger has to be approved by federal regulators as being in the public interest and not a monopoly. How Comcast, the world’s largest media company and one of America’s most reviled companies threads that needle will be a sight to behold. Here are 10 things about its record—on customer service, profiteering, lobbying and sky-high political connections—that you may not know.

1. Worst Company In America Lists. It’s bad enough that both Comcast and Time-Warner are regularly cited on “worst company” lists and are at the bottom of consumer surveys for subscription television services. Consumerist, which ranked it the third worst company in 2013, has a string of reports describing the numerous ways that Comcast rips off subscribers—overpromising and underdelivering—including CEO Brian Roberts’s reply last fall blaming his customers for Comcast’s bad reputation, saying that it is noticed only because a giant company like his gets lots and lots of service calls.

2. Local Cable Already Is A Monopoly. As most cable users know, cable companies already are a monopoly. There is no alternative provider offering the mix of TV, internet and phone in most locales. The nation’s business press thinks that’s fine and has lauded Comcast—such as this Forbes article—for succeeding “by providing less customer service.” Industry spin like that has lead to a phenomenon rarely seen in online journalism: torrents of incredibly detailed comments describing just how much people despise Comcast and wish there was competition for telecom services.

“Comcast is one of the worst companies in this country,” replied Sandi D to that Forbespiece, saying how she spent nine weeks to resolve issues and only got a response after filing a formal complaint with the Better Business Bureau. Another writer, Allawash, was billed for data speeds that Comcast’s equipment wouldn’t deliver, telling Forbes, “They are relying on customer’s lack of knowledge to nickel and dime them.” Commenter Craig Oren said, “Half of the [customer service] representatives cannot speak English fluently.” Other websites have dozens and dozens of comments following Comcast articles with examples detailing their lousy experiences with the service, tech support and billing.

3. Their Pricing Is Predatory And Will Become Worse. Like big banks, Comcast is always looking for new fees and charges to top off its pricey monthly cost—which is four times as expensive as Europe. Last November, it announced a new $1.50 “broadcast TV fee” would begin in 2014 in addition to the monthly rate, Consumerist reported. “Others, like AT&T and Charter have similar tack-on fees, but unlike those companies, which have not benefitted in any way from increased retransmission fees charged by broadcasters, Comcast also happens to own NBC,” it said, making the point that Comcast already owns much of the content—such as coverage of the Olympics—that it’s charging double for.

What will customers receive for this fee? According to TechDirt.com, more commercials, especially when people are watching reruns of old TV series. “Basically, Comcast wants to flip the current advertising system upsides-down and have older episodes of primetime shows carrying the same commercial load as the most recent episode,” it reported. These are examples of why a deal giving Comcast—already America’s biggest cable company and internet-service provider—more monopoly power is bad for the public.

4. Comcast’s Contempt for Customers Is More Widespread.It’s astounding to read what Comcast executives have said about how they treat customers. Matt Strauss, senior vice-president of video services, boasted to The New York Post in December that their on-demand video service system disables fast-forwarding through commercials, which frustrates users but earns Comcast billions more from ad sales. In another example of its greed trumping the video viewers’ experience, The Wall Street Journal reports that it is talking to Netflix about making its shows available to subscribers, but Comcast won’t give Netflix access to the best-quality video streaming. “Netflix believes the technology is critical,” the Journalreported last October, adding, “No deal is imminent.”

5. Comcast’s Antics Include Its Broadband Service. Comcast isn’t just a TV company. It is a giant internet service provider, as well as phone company for some people. When it comes to the internet, TechDirt reports that Comcast “is still continuing its stealthy push toward capped broadband.” Techdirt is referring to charging people by how much data flows into their homes. The trade journals DSLreports.com said Comcast recently raised prices in “uncompetitive” rural media markets in Maine and Georgia. It said, “Augusta locals tell the local media they were surprised to suddenly see they had a 300 GB cap and had to pay $10 for every 50 GB they travel.” Predatory pricing like that is what accounts for its $64.76 in revenues in 2013, with $7.1 billion in net profits.

6. Comcast Blames Users For Its Predatory Pricing. As TechDirt notes, price gouging in media markets where Comcast is the only provider is accompanied by more ridiculous industry spin: Comcast “spokespeople ‘informing’ reporters that ‘most people’ don’t use that much data and that sneaking in usage caps is the ‘fairest’ way to make sure data hogs don’t use up all the Internet.” TechDirt’s bottom-line: “It’s just a way to make users pay more for their services.”

7. Comcast says Americans Don’t Want Faster Broadband. That explanation for price gouging is the tip of the distorted public relations iceberg that its top executive roll out. A Philadelphia Enquirer op-ed by lobbyist David Cohen touts mediocre broadband speeds by claiming that few people want anything faster. “The reality is that the United States is leading the way in speed, reach, and access—and doing so in a vast, rural nation that poses logistical connectivity challenges unlike any other country,” he wrote, ignoring the fact that much of world has far faster and much cheaper internet service. Comcast’s “triple-play” monthly packages—for TV, internet and phone—cost from $100 to $200, compared to France, for example, where it’s $40 a month and download speeds are 10 times faster and upload speeds are 20 times faster.

As Benjamin N. Cardozo School of Law Professor Susan Crawford detailed in Salon, the broadband service in the U.S.—provided by Comcast and other telecoms—is far inferior to most of Europe and East Asia. “In a nutshell, America has a series of regional cable monopolies controlling the pricing and capacity of fixed high-speed Internet access (and every other form of data reaching Americans),” she said.

8. Comcast Also Says People Don’t Want Alternatives. In that same Philadelphia Enquirer op-ed, lobbyist Cohen says that Americans don’t need what a real competitor, Google Fiber, is offering—a one-gigabit per second connection via a fiber-optic line. “Most websites can’t deliver content as fast as current networks move,” he said, adding, “most U.S. homes have routers that can’t support the speed that’s already available.” Nowhere in this dig at Googledoes Comcast’s lobbyist suggest that his company would upgrade the gear that it’s put in millions of homes unless user paid more to do it.

“Consumers are demanding faster speeds, though,” TechDirt countered. “When someone like Google comes along and offers a gigabit connection for $30/month, it’s delivering what consumers actually want: higher speeds and lower prices… Comcast frequently throw(s) data caps into the mix, which nullifies the positive effects of a speed boost.”      

9. Comcast Wants The Next Big Telecom Monopoly. Comcast’s corporate goal in its pending takeover of Time Warner Cable goes far beyond subscriptions to television and video and today’s most popular internet uses. They want to stand like sentries at a toll gate that prevent people from crossing and using every emerging broadband-based tool unless they pay its fees. “The cable companies, with their inherently better bandwidth than phone company DSL lines, are becoming natural monopolies for wired-line internet access except in the few places where other providers have installed fiber lines,” wrote Dan Gillmor in The Guardian. Every era has its highways. In the late 1800s, it was the railroads and telegraph lines. In the mid-20th century, it was telephones, highways and broadcast networks. In the early 21st century, it’s the internet and broadband.

10. Comcast Has Political Friends In The Highest Places. By any objective standard,  Comcast’s proposed takeover of Time Warner is not the public interest. But there are real reasons to more than suspect that neither the Federal Communications Commission nor the Department of Justice will veto the deal, citing anti-monopoly legal standards. The company’s power and influence is enormous. Last year, after the FCC approved the deal acquiring NBC Universal, FCC Commissioner Meredith Baker was hired by Comcast. Top lobbyist Cohen held a fundraiser at his home for President Obama in 2011 netting $1.2 million. And last summer, Obama and other top White House officials, including Attorney General Eric Holder—who heads the Justice Department that must approve Comcast’s merger with Time Warner—vacationed at Comcast CEO Brian Roberts’ Martha’s Vineyard home.

As The New York Post noted, “A source told us the reception was ‘very relaxed, with no speeches. People were sitting out on the terrace.’ Roberts has reportedly been close to the president for years and endorsed the Affordable Care Act.”    


Steven Rosenfeld covers democracy issues for AlterNet and is the author of "Count My Vote: A Citizen's Guide to Voting" (AlterNet Books, 2008).

Sunday, February 9, 2014

Definitive proof that Fox News Channel is not news (UPDATED)



Daily Kos





In my geekier moments, I like to research things.  You know, things like "facts," which can then be used to demonstrate, or "prove," other things.

Today, I decided to tackle again the task of finding facts to prove that Fox News Channel is not news.

I think I have succeeded.  But you will have to go below the fold to see how.
[Note: The original idea for this diary was hatched in the summer of 2007.  In conjunction with the launch of DK4, I decided it was time for an updated and more comprehensive look at the issue.]

I am not an expert in journalism.  So I decided to use the most prominent honors and awards in journalism as the criteria for comparing several news organizations, including Fox News Channel.  FNC launched in October of 1996.  To level the playing field, I have only included awards since 1997, FNC's first full year as a "news" organization.  (Where noted, records for some awards were not readily available back to 1997.)

The Peabody Awards have been given by the University of Georgia since 1941, and are the oldest honors in electronic media.
The George Foster Peabody Award recognizes distinguished and meritorious public service by radio and television stations, networks, producing organizations and individuals.  Reflecting excellence in quality rather than popularity or commercial success, the Peabody is the industry’s most competitive honor.

Since 1997, the Public Broadcasting System is the king of the Peabody, with 50 awards for education and entertainment, and 19 more for news and public service programming like The News Hour and Frontline.  Local public television stations shine, like WGBH-TV in Boston with 33, and WNET-TV in New York with 17.    For the major news providers, it is CBS with 16, BBC 14, ABC 12, NPR 12, CNN 8, and NBC 7. 
 
More interesting is the names towards the bottom of the Peabody list.  You know who has a Peabody Award?  Comedy Central.  In fact, they have five, including two for Jon Stewart's "Daily Show" and one for Stephen Colbert's "The Colbert Report".  KHOU in Houston and WFAA in Dallas each have three, as does sports network ESPN.  Nickelodeon children's network won a public service Peabody in 1997.  Channel One Network, the in-school news station for secondary school kids, won a Peabody in 2004 for coverage of Sudan.  Even conservative group Focus on the Family has a Peabody.  How many Peabody Awards say "Fox News Channel" on them?  Zero.

If you think the Peabody Awards are too elitist, then what about the Emmys, the most well-known awards for broadcasting excellence?
The News & Documentary Emmy Awards is a major national broadcast journalism competition. It promotes journalistic excellence by awarding the coveted Emmy to the very best news reports and documentary films aired on national television or streamed over the Internet each year.

PBS wins again, with 88 total Emmys for business and financial reporting, and news and documentaries.  CBS has 73, NBC 40, ABC 36, CNN and HBO with 17 each, CNBC 11, and MSNBC 10.  VH-1 won an Emmy for a documentary involving adoption and rapper Darryl McDaniels from Run-D.M.C. fame.  How many Emmy Awards read "Fox News Channel" on the base?  Zero. The Pulizter Prizes are a household name, but they do not cover television broadcast journalism.  But their approximate equivalent can be found in the duPont-Columbia Awards.
The Alfred I. duPont-Columbia University Awards honoring excellence in broadcast journalism were established in 1942 by Jessie Ball duPont in memory of her husband, Alfred I. duPont.  The duPont Awards, administered since 1968 by Columbia University's Graduate School of Journalism, are considered to be the most prestigious broadcast journalism awards and the equivalent of the Pulitzer Prizes, which are also administered at the Journalism School.

Once again, public broadcasting is the cream of the crop.  PBS has 23, WBGH in Boston has 21 (many shared with PBS), and National Public Radio has earned 17.  CBS and ABC each have 13, NBC 7, and CNN 6.  MSNBC and Court TV have two, and National Geographic , CNBC and Current TV all have one.  Fox News Channel?  Zero. Let's look at some smaller prestigious and specialized awards.
The George Polk Awards are conferred annually to honor special achievement in journalism. Winners are chosen from newspapers, magazines, television, radio and on-line news organizations. Judges place a premium on investigative and enterprise work that is original, requires digging and resourcefulness and brings results.

ABC News leads with five Polk awards since 1997; CBS has three; NPR, NBC , CNN, Bloomberg, and BBC each have two.  Yes, ProPublica and Talking Points Memo each have a Polk Award, so this argument may not be very persuasive.  Still, Fox News Channel?  Zero.
The Gerald Loeb Awards were established in 1957 by the late Gerald Loeb to honor journalists who make significant contributions to the understanding of business, finance and the economy. He intended to encourage reporting on these subjects that would both inform and protect the private investor and the general public.

These awards have been dominated by print outlets like the New York Times and Wall Street Journal.  CBS, NBC, and Bloomberg each have four Loeb awards, followed by CNBC with three, ABC with two, and CNN with one.  Fox News Channel?  You guessed it – zero.
[Radio Television Digital News Association] has been honoring outstanding achievements in electronic journalism with the Edward R. Murrow Awards since 1971. Murrow’s pursuit of excellence in journalism embodies the spirit of the awards that carry his name. Murrow Award recipients demonstrate the excellence that Edward R. Murrow made a standard for the electronic news profession.

CBS News leads with 25 Murrow awards.  NPR news and ABC each have 11; NBC 10; the Associated Press seven; ESPN four; and three for CNN.  Fox News Channel?  Zero.
The Robert F. Kennedy Journalism Award honors those who report on issues that reflect Robert F. Kennedy's concerns including human rights, social justice and the power of individual action in the United States and around the world.  Entries include insights into the causes, conditions and remedies of injustice and critical analysis of relevant public policies, programs, attitudes and private endeavors.

NPR news and WGBH-TV each have seven RFK Awards.  ABC has six, CBS three; and NBC, HDNet and PBS have one each.  Fox News Channel?  Zero.
The annual Investigative Reporters and Editors Awards recognize outstanding investigative work in several categories. The top award given is the IRE Medal. The contest also helps identify the techniques and resources used to complete each story.

NPR and CBS each have five; ABC and NBC have four each; Bloomberg and MSNBC have two each.  Fox News Channel?  Zero. 
 
In summary, we are dealing with over one thousand of the most prestigious awards in broadcasting journalism excellence.  CBS, NBC, and ABC news divisions have won all ten awards.  PBS news and CNN have won eight of the ten awards.  NPR news and KHOU-TV in Houston have won seven of them.  Fox News Channel has not won a single award, not even once.

Furthermore, Republican threats to slash public broadcasting are a threat to the highest quality programming on television and radio.  PBS has won 183 of these awards; WGBH-TV in Boston has 62; NPR news and entertainment has 64; WNET-TV in New York has 20.

There is no longer a need to bemoan the fact that Fox "News" is really faux news, or to wish that their talking heads would explode.  Instead, just cite these facts as proof that no respected members of the journalism community view Fox News Channel as news.

If Fox News Channel has won any of these awards in the time studied, and I have overlooked it, not only will I eat my hat, but I will also happily correct the record.

Apologies for the fomatting issues.  I'm not sure if it's me (likely) or DK4 (possibly), but I can figure that out later.

Originally posted to TexasAMC on Wed Feb 16, 2011 at 10:00 AM PST.

Also republished by Media Watch.

Tags

Saturday, November 9, 2013

Can Social Media be Socialized?




Socialize Social Media!

by Benjamin Kunkel 



On Wednesday, November 6, Twitter, the so-called microblogging service, went public, in the private sense. Shares initially offered at $26 were by the end of the day trading near $45, giving a company with fewer than 900 employees a market value of more than $31 billion, and meaning that each of the service’s 230 million users—who are also, in a real sense, its producers—could be considered to be contributing $135 to the company’s value. That value is almost certain to fall, since Twitter shares appear ludicrously overpriced. As John Cassidy of the New Yorker calculated, “Investors were paying forty-nine dollars per dollar of revenues, and five hundred and forty-one dollars per dollar of cash flow . . . Apple, the most valuable technology company in the world, trades at less than three times its revenue and eight times its cash flow.” But large for-profit social-media services are contradictory entities at any price, because they attempt to profit from activity that, precisely because it is social, is basically non-economic and non-productive. Social media can either be profitable or it can be social. In the end, it can’t be both.

The IPOs of Facebook and Twitter should therefore be reversed, through the socialization of both companies and other social-media services that attain a similar scale. The time has come, in other words, to socialize social media. Keynes long ago called for “a somewhat comprehensive socialization of investment” in modern economies, while leaving room for the skill and inventiveness of entrepreneurs “(who are certainly so fond of their craft that their labor could be obtained much cheaper than at present), to be harnessed to the service of the community on reasonable terms of reward.” The broader question can await another day. But large social media companies particularly invite socialization—that is, going public in the sense of public ownership—for the reasons that follow.

1. Social media should be socialized because services tend to be or become monopolies. Most private enterprises, whatever their business, have at least a few competitors. Large social media companies—Facebook, Twitter—tend to lack competitors, for the simple reason that their platforms are not compatible. I can’t create a profile on a non-Facebook site that then appears on Facebook, and no microblogging service could emerge to challenge Twitter unless it were capable of inducing mass defections. Social media services or social utilities, as they would better be called, are thus more like highways or railroads than like car manufacturers or freight companies. Trade in my Ford for a Toyota, and I can still drive on the same roads that lead to my friends’ doors. But even if there were another all-purpose social networking site like Facebook, I couldn’t switch to it without losing contact with my Facebook friends. This presents the familiar problems of monopoly. Twitter may not abuse its captive audience yet—by overcharging us, or by data-mining users in the way that has bred so much resentment among Facebook users—but it easily could, because we have nowhere else to go for an equivalent service. And the company’s executives may soon feel they have no choice but to abuse their monopoly position. The optimistic, not to say delusional, stock market valuations of Facebook and Twitter are premised on the unstated idea that these companies, having so far provided a public service at a loss, will in the future find a way to heavily exploit their cornered users. The rational way to treat natural monopolies is to make them into utilities provided to the public—either directly by the government, or indirectly through contracting and regulation—at cost.

2. Social media should be socialized because attaining profitability (through ads or fees) is impossible without degrading the service. So far executives hope to turn a profit by providing ad space and/or by data-mining users so that information can be sold to advertisers to use more broadly. The more social-media services are infiltrated by ads, the less the user enjoys the fundamental social right of choosing her own company. On Twitter I follow who I want and don’t follow the others. On Facebook, as IRL, I choose my friends as well as those people I find it socially convenient to call “friends.” And as with social life generally, there are no directly assessed fees for participation, any more than I have to pay a toll to walk down the street with a friend (or follower). Advertising degrades this freedom. I don’t get to choose whose ads I see, or whether I want to see any. Some people may enjoy corporate advertisements—and they should be able, accordingly, to follow Burger King or Pfizer. But I have something to advertise as well: my opinions, the articles I write, the books by other people I think you should buy, et cetera. That is my freedom, just as it’s yours to follow or block or unfriend me. We only lack this freedom when it comes to corporate entities with the budgets to override our choices. And everything suggests that as Facebook and Twitter try to increase revenues and share value, they will pollute social media with ever more ads. The alternative profit-making strategy would be to attempt to charge fees far in excess of operating costs. (Twitter’s operating budget is about $200 million a year, or less than a dollar per user.) The social character of these services would then swiftly erode, since access would be rationed by ability to pay. Better to socialize these utilities and cover operating costs out of public taxation.

3. Social media should be socialized because the fraternization of people is a democratic good, which for-profit operation impairs. In democratic societies, social media should also be democratic. Digital speech acts (tweets, posts, likes, photos, links, whatever) should be promoted to the extent that other speakers promote them, rather than according to the amount of money the speaker commands. Eliminating ads would hardly ensure that democratic conditions produce mutual enlightenment, and, to date, ads on social media are more an aesthetic irritant than an obstacle to democracy. (For that, we have the Constitution and the Supreme Court.) But the socialization of social media would imply that it’s meant to serve social ends, in all their variety—pleasure, knowledge, amusement, organization, community, and so on—rather than private gain. Whether social media is on the whole good or bad for democracy is obviously debatable—but citizens possess no wider forum for this debate than social media! And while it does take access to a computer and a reliable internet connection to participate in social media, these barriers are much lower than for any other form of broadcast communication. Of course citizens who don’t use social media might complain about the (minimal) taxes required to keep social utilities up and running, but this makes for no difference with roads or libraries, which everyone pays for regardless of personal use.

4. Social media should be socialized not in spite of, but in service of, entrepreneurialism and innovation. Against the proposal to socialize social media, it will be objected that the prospect of enormous fortunes stimulated its development. This is only a partial truth. The lure of getting rich may have been one factor to goad Mark Zuckerberg into the creation of Facebook, but he had no idea of how rich he might become nor, by all accounts, does he spend lavishly on himself. Only Facebook and Twitter are yet so massive and monopolistic as to be clear candidates for socialization, and it seems likely that the government, acting on behalf of the public, could have bought out the founders of these two companies, prior to an IPO, for what the founders would have regarded as an attractive price. The government could even overpay for Twitter next week at $31 billion (though Keynes might perhaps have considered founder Evan Williams $2.6 billion share value to exceed “reasonable terms of reward”). Still, suppose that entrepreneurs, knowing in advance that a handful of start-ups might one day become so eminent as to be socialized, also knew that, in the unlikely event of socialization, no founder would be paid more than $100 million for his interest in the enterprise: it’s hard to believe that such a cap would deter anyone. Besides, much of an innovator’s compensation is in renown or, failing that, a kind of obscure glory: whether or not people know your name, everyone knows your work. More than this, monopolistic privately-owned social media will stifle useful innovation. Grant that private companies often innovate to benefit their clients (though they equally often seek monopolized stasis, and engineer products to fall apart); even so, it’s not users of social media but advertisers and investors who form the clientele. Public utilities, on the other hand, can and should be continually improved from their users’ standpoint. Social-media services could also, crucially, be placed in competition with one another, through the requirement that their platforms be mutually compatible. Imagine a microblogging Twitter competitor, public or private: if these rivals had to make available any tweets posted to either service, users could simply choose whichever service they liked on the basis of secondary features. This would encourage attractive innovations which right now are discouraged, either because changes primarily serve advertisers and investors—hence the steady degradation of Facebook leading up to and ever since its IPO—or because no rival services, faced with such invulnerable giants, dare challenge Facebook or Twitter.

5. Social media should be socialized because its content is produced by society at large, and society is distinct from the economy. The staff of social media companies (Twitter’s 900 or so) are indispensable for their operations, but so are the vast numbers of users who produce the content on display (Twitter’s 230 million). Yet it would be perversely cumbersome to compensate these consumers-who-are-also-producers for every tweet or post, or even with a small annual salary. And to compensate “content providers” for their popularity would be to reward the meretricious and shallowly outrageous more than is already the case. Society is distinct from the economy in that no direct monetary rewards flow from participation. Being popular may help you make money, and having money may in turn make you popular, but no one is paid a fee for his personal popularity, nor can I pay people to like me. The autonomy of society is limited but nevertheless real. In the fact that neither Rupert Murdoch nor Kanye nor you nor I made any money directly from Twitter (until yesterday, when they may have scooped up shares) there was a kind of democracy, which public ownership would safeguard. Access to various social venues—a ballpark, a concert hall, a café, street, a park—clearly has to do with costs, whether these are high or low or consist only of public taxation. But it’s the venues, and any services provided there, that are cheap or expensive, not the socializing, which is either free or is not socializing. Rationing access, through fees, to infrequently attended and restricted spaces (the ballpark) makes sense, as does subsidizing expensive infrastructure (the concert hall) and performances (the concert) through ad sales. But social media is by no means characterized by restricted space, infrequent use, or expensive infrastructure or performances; it can be by used everyone, whenever they want, at exceedingly low cost, and it hosts performances, to call them that, which cost nothing to produce. To treat such eminently social activity as a form of economic production is either futile or grotesque. It’s futile if no profits result. And it’s grotesque if profits do result, since these are only a form of social rent. Should social-media ownership become profitable while users continue to produce content unpaid, we are in a situation, more economically lurid than any imagined by Marx, in which the owners of some very minimal means of production—servers, office buildings, or the title thereto constituted by their shares on the NYSE—enjoy all the revenue from the economic activity of people who receive no wage whatever.

Social media services can ultimately be run as public utilities, ad-free, at cost, in a democratic spirit and for social ends, in their enormous variety—or else digital society can become ever more subservient to the single end of the accumulation of private capital. The choice is between social life as an advertising platform and socialized social media. Tweeps and Facebook friends, unite! You have nothing to lose but some ads! (Except all the time you’re wasting. But you were already doing that.) 

Saturday, August 24, 2013

Government Should Not Define What a Reporter Is — or Isn’t

Dissident Voice: a radical newsletter in the struggle for peace and social justice


Government Should Not Define What a Reporter Is — or Isn’t

Sen. Dianne Feinstein and a horde of members of Congress of both parties want to decide who is and who isn’t a reporter. Sen. Feinstein says a “real” reporter is a “salaried agent of a media company.”

She mentions the usual suspects—New York Times, ABC News. She dismisses part-time staff. She dismisses freelancers. She dismisses those who write, often without pay, for the hundreds of alternative publications, and often break news and investigative stories well ahead of the mainstream media. She dismisses anyone who, she says, “have no professional qualifications.”

The reason she wants to define what a reporter is or isn’t is because there’s a proposed federal Media Shield Law that would protect reporters from revealing their sources. Forty states and the District of Columbia currently have shield laws. Sen. Feinstein wants to amend the federal bill to take away existing First Amendment protections from anyone not involved in—apparently—salaried establishment media.

There are people who have minimal qualifications to be a reporter. Many write nothing but screeds. Many have problems with basic language skills. Many have little familiarity with the AP Style Book. Many have an inability to ask probing questions of government officials; many merely transcribe what they’re told, whether from the president, a council member, or a local reader who is the focus of a feature. Some of them are paid salaries and are agents of media companies, which Sen. Feinstein believes are acceptable requirements.

There are also those who frequently allow “deep background” and “off-the-record” comments. Many news media won’t allow sources to go “off-the-record.” If the information isn’t available to the general public, it shouldn’t be available only to reporters. Access to news sources is something reporters enjoy that the average reader doesn’t; but there is a responsibility to the reader and viewer and listener not to hide information.

There are those who overuse the “veiled news source,” which is a part of the Shield Law. A veiled news source could be someone whom the reporter identifies as, “Sources close to the Governor state …” Often, the reporter doesn’t question a source’s motives for why she or he wants to give anonymous information, or if it is merely a “trial balloon” to use the media to put out information; if the people agree, sources become identified; if the public disagrees with a proposal, no one traces the “leak” to politicians or their staffs.

On more than a few occasions, reporters—whether “salaried agents” of a media company, part-timers for that company or for any of thousands of alternative publications or electronic media, or freelancers—have filled in holes in their stories with false identities—“A 55-year-old housewife in Podunka, who asked not to be identified, says …” Good reporters seldom use a veiled news source and then have to protect them should there be a court order to divulge the source of information.

On rare occasions, however, a reporter, in consultation with an editor, will allow a news source to be anonymous. Granting veiled news source status should not be given unless a source’s information and identity puts her or him into significant personal jeopardy—and the information can be verified.

But, even if there are reporters who are lazy, who plagiarize, who abuse the veiled news source privilege, there are no enforceable ethics rules in journalism. Reporters aren’t licensed—such as physicians, social workers, teachers, contractors, and cosmetologists. Only an editor can discipline or terminate an employee.

Nevertheless, whenever the government says it wants to define what a reporter is or is not—and the public, outraged over something a reporter or news operation did or did not do demands licensing and enforceable codes of ethics—a huge red flag should be in everyone’s face. Not one part of the First Amendment determines who or what a reporter is, or what is or is not news. The Founding Fathers didn’t forget to include that; they deliberately didn’t want to include that. They believed government shouldn’t be making those decisions, and the news media, even the media that base their news upon lies and scandal, must be independent.

And, yet, government and the news media often wink at the intent of the Founding Fathers and cozy up together.
The only thing more outrageous than reporters and sources playing golf or tennis together is reporters schmoozing at political receptions, the women dressed like they were movie celebrities on the Red Carpet, the men in tuxedos. And the reason why they go to these receptions? They claim it’s because they “get their information” there.

But, “socializing” isn’t the only thing that violates the intent of the Founding Fathers. It probably isn’t a good practice for Congress to appoint news correspondents to determine who is or is not qualified to receive press credentials—subject to the oversight of House and Senate leaders. Until recently, the establishment press of “salaried agents” refused even to acknowledge that members of the alternative press, even those who have won awards for investigative reporting, should be allowed the privileges that mainstream reporters are allowed.

It violates the First Amendment when police agencies and governments at all levels decide who can or can’t cover its activities. Usually, the ones excluded are reporters who are not “agents” of an establishment media company.

Until recently, it violated the intent of the First Amendment when the Federal Communications Commission determined what percentage of each day’s programming should be devoted to which category because of a law Congress created that decided electronic media, unlike print media, are required to meet the “public interest, convenience, and necessity.”
Under Sen. Feinstein’s belief of who and what a reporter is, Ben Franklin, who wrote hundreds of articles under the byline of Silence Do-Good, and was never paid for it, would not be considered to be a reporter.

Walter Brasch, during a 40-year work career in mass communications, has been a member of several unions, in both the private and public sectors. He is a syndicated newspaper columnist and the author of 16 books, including With Just Cause: Unionization of the American Journalist, Before the First Snow: Stories from the Revolution, and his latest Fracking Pennsylvania. He can be contacted at: walterbrasch@gmail.com. Read other articles by Walter, or visit Walter's website.
 

Sunday, August 11, 2013

Fox's Shameless Misrepresentation Of SNAP Recipients

MEDIA as default persecutors of the people



Fox's Shameless Misrepresentation Of SNAP Recipients

Baier: "When A Safety Net Becomes A Hammock"

Blog ››› ››› 
by  SAMANTHA WYATT 

In an attempt to make a surfing freeloader the face of Supplemental Nutrition Assistance Program (SNAP) recipients, a Fox News special profiled Jason Greenslate, "a blissfully jobless California surfer" who has taken advantage of SNAP benefits. In reality, Greenslate bears no resemblance to the overwhelming majority of SNAP recipients, many of whom are elderly, children, or rely on the program for a short time while looking for work.

Prior to its August 9 airing, Fox News hyped the special, "The Great Food Stamp Binge," on Fox News Insider, FoxNews.com, and several of its daytime shows. Each preview focused on Jason Greenslate, a freeloading surfer who Fox correspondent John Roberts interviewed in Southern California. FoxNews.com described Greenslate at length in an article that teased the "new documentary":
The Fox News Reporting documentary profiles, among others, a California surfer and aspiring musician named Jason Greenslate. Greenslate shows how he supports his beach-bum lifestyle with food stamps, while dismissing the idea of holding down a regular, steady job.
"It's not that I don't want a job, I don't want a boss. I don't want someone telling me what to do.  I'm gonna live my own life," Greenslate tells Fox News' John Roberts. "This is the way I want to live. And I don't really see anything changing. I got the card. It's $200. That's it."
As promised, "The Great Food Stamp Binge" labeled Greenslate "the new face of food stamps," devoting two full segments to his lifestyle in a shameless attempt to characterize SNAP recipients as freeloaders.


freeloader


According to the U.S. Department of Agriculture's (USDA) Food and Nutrition Service, the fraud and waste rate in SNAP is roughly 1 percent, contrary to recent Fox claims that the program is rife with fraud.
Unlike Greenslate, 41 percent of food stamp recipients live "in a household with earnings," and use SNAP benefits to supplement their primary source of income. Furthermore, the USDA reports that most food stamp recipients stay in the program for only a short period of time:
Half of all new SNAP participants received benefits for 10 months or less in the mid 2000s, up from 8 months in the early 2000s. Single parent families and elderly individuals tended to stay in the program longer than did working poor individuals, childless adults without disabilities, and noncitizens. Seventy-four percent of new participants left the program within two years. This is an increase from 71 percent in the early 1990s.
Fox's attempt to demonize food stamp recipients as a caricature of willful dependency ignores the fact that SNAP kept 4.7 million people out of poverty in 2011, many of whom are children or the elderly. Unlike Greenslate, the majority of these individuals relied on the program not because of laziness, but necessity.
Surely it would not have been difficult for Fox to find a realistic face of food stamp recipients, as 76% of SNAP households include a child, elderly person, or disabled American. This dishonest depiction of SNAP is the latest example of Fox's longstanding tradition of maligning the poor.
Posted in 
Food Insecurity, Poverty
Network/Outlet
Fox News Channel
Person
Bret Baier

Friday, August 2, 2013

Why Tom Friedman Is the Ayn Rand of Our Times



  Media  


Friedman is the dark prophet of unregulated marketplaces for every aspect of human activity. 


If Thomas Friedman didn't exist, America's high-tech entrepreneurs would have had to invent him.  Come to think of it, maybe they did. The dark science-fiction vision he celebrates serves them well, at pretty much everyone else's expense.
Friedman's vision is worth studying, if only because it reflects the distorted perspective of some very wealthy and influential people. In their world the problems of the many are as easily fixed as a line of code, with no sacrifice required of them or their fellow billionaires.
Case in point: 15 or 20 million Americans seeking full-time employment? To Thomas Friedman, that's a branding problem.
Ayn Rand with a human face ...
Friedman occupies a unique place in the pundit ecosystem. From his perch at the New York Times, he idealizes the unregulated, winner-take-all economy of the Internet and while overlooking human, real-world concerns. His misplaced faith in a digitized "free" market reflects the solipsistic libertarianism of a technological über-class which stares into the rich diversity of human experience and sees only its own reflection staring back.
Friedman is a closet Ayn Rand in many ways, but he gives Rand's ugly and exploitative philosophy a pseudo-intellectual, liberal-friendly feel-good gloss.  He turns her harsh industrial metal music into melodious easy listening: John Galt meets John Denver. That make him very useful to those who would dismantle the engines of real economic growth, the ones which create jobs while protecting life and limb.
Friedman's column in this weekend's New York Times is, characteristically, a Panglossian panegyric to online technology as the salve for all economic problems. In it he paints the picture of a global dystopia where decent jobs are scarce, educational advancement is unattainable, and people must sacrifice their homes, their possessions, and their personal lives to serve and amuse complete strangers.
He can hardly wait.
Mi casa es su casa ...
The framing device for Friedman's vision is the tale of two twenty-somethings who, like so many Friedman protagonists, built an Internet company. Friedman's column is called "The Sharing Economy," and it celebrates the creators of an online platform called "Airbnb" which lets people rent out their homes to strangers.  Online marketplaces like Airbnb are very interesting economic phenomena. They can be useful and even transformative. But they can also be dangerous, unsafe, and overhyped.
Enter Thomas Friedman.
Digital libertarians like Jeff Bezos of Amazon see these digital marketplaces as the electronic realization of a free market fantasy. They promote platforms like Bezos' "Mechanical Turk" system of online job sharing, unconcerned about their ability to accelerate the destruction of decent wages and secure jobs. (They're also blissfully unaware of the embarrassing contradiction between their own libertarianism and the fortunes they've earned from government-created technologies like the Internet.)
Friedman seems to share a Bezos-like vision of unregulated marketplaces for every aspect of  human activity. He waxes ecstatic about Airbnb, which he sees as both a practical solution and a broader model for a future economy. Friedman thinks that renting out your private space, your personal time, and your possessions will soon become the only way to make ends meet - that is, unless you possess extraordinary skills, which could land you a mediocre job at best.
And he thinks that's just fine.
Decoding Friedman
Consider this passage from Friedman's column:
"In a world where, as I've argued, average is over -- the skills required for any good job keep rising -- a lot of people who might not be able to acquire those skills can still earn a good living now by building their own branded reputations, whether it is to rent their kids' rooms, their cars or their power tools."
This paragraph reads like a Zen koan pieced together from cast-away fragments of motivational sales speeches. We're left to infer the meaning of its more obscure phrases from their context, the same way World War II codebreakers cracked particularly difficult passages in enemy telexes. So let's try to tease out its meaning, phrase by phrase:

"In a world where, as I've argued, average is over ..." (Emphasis from the original.)
"Average is over"?  Averaging is a mathematical function, inextricably woven into the fabric of reality as we understand it. How can it be over? It's like saying that subtraction is over, or means and medians are null and void.  (Watch yourself, standard deviation. Thomas Friedman has his eye on you.)
What's he really saying here? The "as I've argued" offers one clue to motivation, if not meaning: Anything self-referential from this author - and that's a lot - is a signal that he's floating another potential "The World Is Flat" book title.
But what's he saying?  Our context-driven codebreaking takes us to the next phrase:
"... the skills required for any good job keep rising ..."
Ah, I see. "Average is over" is connected to job skills. Friedman apparently means that you can't get a good job anymore if your skill level is only average.
Why didn't he just say so?
20 Million Startups
What are the implications of a world in which you must be above average to get "any good job"?  When Garrison Keillor described Lake Woebegon as a place where "all the children are above average," it was a joke. But Friedman's not joking. He's describing a world in which ordinary people are excluded from decent employment - and he's doing it without expressing regret or demanding change.
To be fair, Friedman is an advocate for education - in his own way. But his education arguments, like his economic ones, focus on the online, the gimmicky, and the jargon-laden.  Friedman's world doesn't seem to include manufacturing jobs, or construction jobs, or good government jobs. He envisions a workforce made up almost exclusively of "lateral thinkers" and "integration" engineers. Students should be trained to "invent" their jobs, says Friedman, who claims that self-invented work will be the best source of future employment.
Based on the number of people currently seeking full-time employment in the US alone, 15 or 20 million people need to "invent" their jobs pretty quickly. That's a lot of Internet start-ups, along with a whole boatload of "lateral thinking."
Friedman's unrealistic view of the labor force, shared by many tech entrepreneurs, is one in which the middle class is as passé as a Commodore 64.  How can formerly middle-class Americans survive in the world they envision?
Average White Brand
According to Thomas Friedman, tens of millions of un- and under-employed Americans can "earn a good living online by building their own branded reputations." (That's right: He went there. He said "branded reputation.") Using websites like Airbnb, Friedman suggests, they can rent out "their kids' rooms, their cars or their power tools."
Friedman seems unaware that millions of Americans don't have kids' rooms. (Lots of people don't have cars or power tools, either.) He might be astonished to learn that even in New York City, where he is professionally based, nearly half the population is considered either "poor" or "near poor." Those who live in ghettoes or other concentrations of minority poverty don't seem to exist for him.
Airbnb was co-invented by a kid who needed rent money after graduating from the Rhode Island School of Design. But there are families that can't afford to send their kids to the Rhode Island School of Design. And not everybody can move to San Francisco, where Friedman's plucky young heroes conducted the business transaction which led to the creation of Airbnb.
"Three people stayed with us," said co-founder Brian Chesky, "and we charged them $80 a night. We also made breakfast for them and became their local guides."
San Francisco's one of the most desirable tourist destinations in the country. It doesn't seem to have occurred to Friedman that not everybody lives in such a desirable location - or that some of us would rather not give up a large chunk of our personal space to strangers while serving as their personal cooks and chauffeurs. What's next? Hiring ourselves out to millionaires as "faithful family retainers," antebellum-style ?
As I read this column my mind kept wandering to the recent Bill Moyers program about Milwaukee, "Two American Families," and to a recent visit to my equally hard-hit home town of Utica, New York. Trust us, Mr. Friedman: There won't be a lot of "Airbnb" tourists looking to rent beds or cars in Milwaukee or Utica.
hellonearth.com
Friedman seems blithely unaware of the role of regulation in keeping us safe. Do we really want to rent cars from strangers without knowing whether they've been properly maintained? A "branded reputation" is fine until the brakes give out on a steep incline. And power tools?  One broken chain-saw blade and you could wind up looking like a bit player in a Tobe Hooper movie.
But safety, important as it is, barely scratches the surface of the problem.  Friedman's overall vision, his conception of a "new economy," is what's truly terrifying.
Any rational person who has glimpsed Friedman's dystopian future - which he has pretty accurately envisioned, based on current trends - would urgently begin seeking out alternatives and solutions. They'd want to prevent our economy from becoming an electronic marketplace where the needy and desperate peddle their time, space and possessions to the well-to-do in a desperate bid for survival.
They certainly wouldn't celebrate this sci-fi dystopia, as Friedman does.
Mirror, mirror ...
There are alternatives we can pursue collectively: An aggressive government program of job creation. A return to the days of social mobility. An end to the gross concentration of wealth in the hands of a few. And, above all, affordable education for all so that we can restore the American dream of self-advancement.
Instead Friedman glorifies globalization and the destruction of good jobs. He's indifferent to the loss of social mobility and infatuated with mediocre or at best mildly clever web enterprises. Friedman is the praise singer of Palo Alto, the griot of Los Gatos, and he's never met a Internet billionaire he didn't like.
Thomas Friedman is the perfect mirror for the undeserved self-infatuation which has infected our corporate, media, and political class. He's the chief fabulist of the detached elite, the unfettered Id of the global aristocracy, the Horatio Alger of self-deluded, self-serving, self-promoting techno-hucksterism.
But give the man his due: When it comes to "building your brand reputation," Friedman's a master of the art. It helps to have the perfect platform, of course. As soon as the New YorkTimes is ready to hire 20 million more columnists, our employment problems will be over.
RJ Eskow is a writer, business person, and songwriter/musician. He has worked as a consultant in public policy, technology, and finance, specializing in healthcare issues.